| net.wurk][.who][ on 5 Feb 2001 00:29:59 -0000 |
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| [Nettime-bold] An Interview with ][ ][: Construction of aTe][xt][ndrillic via IRCscapes. |
][ ][ fingers the air, her headthorts beaming
quickly thru the cerebrosphere...
][ ][ inserts cheers, and hears a lilting
bell whis][tle][per...
][ ][ revolves, a spinning doorw][eight][ay,
a wunderbarish crooning moving thru the l][ingual][ines
][ ][ picks an errant st][r][ing of flesh and m][outh][][w][elts
][ ][ s][ilicon][pins a dance step, static mounds
of hellos flipping f][cd][rom her lips
][ ][ monitors][keyboards, N mouses][
her emo.ti][ng!][cons
][ ][ ob.serves, ob.lates, and w][eight][aits
][ ][ filtahs a circuitry note 2 helen,
scribed with a packette tone][r][ of thx...
][ ][ f][r][izz][on][es N ][william][burroughs
in2 thought, x.][text][tracting.....
.
<][ ][> shelley>>was going 2 say this is something i've been working
on for a while now, engineering "flat" text into a live hypertextual
x.perience...
<][ ][> ...taking the word and x.tending it 2 a revamped meaning
threshold...
.
][ ][ sees the network shiver, a static round of
sets N rules written in2 irc][ellular][s
][ ][ hears an echo, an erudite's s][l][ong][ing][,
picked apart and lying die-sect][ion][ed
][ ][ holds up her hands, m][onit.ore][arble keys
g.lowing][with a soft buttered sound][
][ ][ hands sue a template, con.struc.ted of
cracked screens and ribboned marble veins,
a scribe of m][edia new][eaning
][ ][ b.ridges the gap, buttons the codes,
solv][ent][s the s][ilicon][trands....
][ ][ Signs Tactile Actuals Till Identity Clicks
][and STATIC links][
.
<][ ][> joel>> i've written about this b4, i think when an institution
begins a cohesive action to support an m.mergent genre then there is a
distinct danger of a new and more restrictive canon b-ing formed...
<][ ][> ...i make net.art ][like my performance lines are here][, but
talan's work may be relegated 2 n.other aspect of wot we umbrella term new
media/lectronic/digital art...
<][ ][> sure helen, and that's an s.sue that is an x.tremely m.portant
1, considering the genre-direction that net/web art is now undergoing....
.
][ ][ n.itializes, a text based cord surrounding
text, an actuated wandering.....
][ ][ n.velops the text, a golden thread
of reality unravelling in her arms...
.
<][ ][> deena> its an @.tempt][ing][ 2 evoke a constructed
reader/writer that is flavoured by technology...
.
][ ][ catches a grit of the past,
a genre bound by power n packet driven
cords, a sense of the static..
][ ][ commun][al][N][repl][icates
.
<][ ][> my prefered term is "netwurker"; it e.vo][cative][kes the idea
of communicating/creating/x.pressing via the network, that the resultant
work uses the tendrils of communication intrinsically...
.
][ ][ ][wo][man.ifests N di.jests
][it's all in good fun:)][
][ ][ XXrosses, x.amining the
burn point][allistic][s, revaluing
the cross-comm's worth
.
<][ ][> deena> i think it's dependent on the accessibility quotient,
the level the creator wants 2 m.plicate in2 the work itself, whether the
meaning curve is set at a high or traditional lvl...
<][ ][> deena>> i think n.ga][u][ge.ment is the key phrase here....
<][ ][> intr.Actor, as i say, talan:)
<][ ][> does the game m.phasis x.tend the meaning? does 4 me....
.
][ ][ cs play as the key,
the c][l][ue-in point, the c][usp][urve.
.
<][ ][> i think if we can snag a intrActor's attn, in a way that seems
2 break apart predicted notions of meaning absorption without b-ing overtly
threatening, then that's fantastic...a play lead-in is wunderbar....
<][ ][> deena>> n.deed, s.pecially given the his][her][story of the
genre...that fragmented juxtaposed meaning filament, the additive infocurve
that we use thru the click or link, the behaviour we display when using a
browser/viewer all combines.
.
. . .... .....
net.wurk][.who][
n.sert no here xXXx
+
www.hotkey.net.au/~netwurker
.... . .??? .......
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